ANDREA DOMESLE | That’s How It Is

Through his method of taking photographs – his film material has been chemically and mechanically altered in advance – and the selected scenes, Marko Zink emphasizes a strictly vertical arrangement of the tree trunks and their brittle structures. He has reduced the forest theme to the dullness and aggressiveness of the tree stumps that seem almost merged into an impenetrable, hard wall and are arranged in a military-style order – a far cry from idyllic solitude.